The Toronto Sun October 31, 2004
review of
LOVEPLAY
by:
Valerie Gibson
To see the actual newspaper article - click here
Well-versed duo
MATURE POETS LOOK AT THE ROMANTIC AND SEXUAL ASPECTS OF LATE-LIFE LOVE
AH, the twilight of life
-- a time of wisdom, experience, reflection of romance and sex. Sex, romance
and the elderly? Romance, maybe, but sex? Mention such a subject and the reply
might be, "they don't have sex, do they?"
It's a common reaction that's
both offensive and ill-informed. But perhaps it springs from those who, as kids,
wanted to believe their parents never "did it" or that sex comes to
a sudden halt at the sign of the first wrinkle.
Both theories are, of course,
wildly inaccurate.
In fact, the medical profession
states there's no physical reason sexual desire should die throughout a human
being's lifetime. It may diminish or change but it need never go away, physically
speaking. The ongoing human need for loving closeness and intimacy certainly
never dies.
But, then, most older folks
already know this.
They may watch our youth-obsessed
world celebrate love, romance and sexuality as only for the firm of skin and
tender of years, but they smile their wise smiles and keep their delicious secret
to themselves.
Not so secretive are close
friends (not partners) and fellow poets, 86-year-old Joe Fromstein and 72-year-old
Linda Stitt. They've put their considerable talents together to tell the world
about the realities of mature love and romance and the result is an unusual
and delightful poetic collaboration.
Loveplay, A Conversation
in Rhyme (White Knight Publications) is their newly-released book of poems that
will amuse and surprise those who think mid- and late-life love is a romantic
and sexual desert.
With deceptive simplicity
and joi de vivre they explore not only the joy and pleasure of love, sex and
relationships in late life but also its disappointments, insecurities, trials
and tribulations. Even such negatives as impotency and frigidity are humorously
and wryly exposed under their poetic gaze.
But the book's uniquness comes not just from the two poets' creative talents
but from the style in which the poems are presented --both give a very different
and occasionally opposing personal view of each of the subjects.
It's a fascinating juxtaposition.
There may be a battle of the sexes raging generally but these veterans of the
field show how much better it is as a gentle joust.
They met six years ago when Stitt was giving a public poetry reading. Fromstein
cheekily interjected by offering an extra line for her poem he felt was missing.
Stitt, far from being offended, graciously accepted the extra line, included
it, and a strong friendship grew as a result.
Stitt says she grew up with poetry.
"Poetry was a way of
life with my family. My mother read poetry to me when I was in her womb!"
PASSION FOR POETRY
She has been professionally
writing poems since 1983. A member of the League of Canadian Poets and the Canadian
Poetry Association, she now has 10 books of poetry to her credit and is much
sought after for her readings.
For Fromstein, the passion
for poetry came later in life and was a private occupation he enjoyed after
retiring from his own pharmacy. It continued when he decided to return to the
University of Toronto to study for his B.A. The year he turned 80, he graduated
with top marks and in the last six years has won several speaking competitions
via Toastmasters International and written two poetry manuscripts.
Both are now single -- Stitt
is divorced after a 25-year marriage in which she lived in Thunder Bay (she
is now based in Toronto), and Toronto-born Fromstein is a widower after a 47-year
marriage he says was "perfect."
But although both say they
would never marry again, they agree the desire for romantic and sexual companionship
doesn't diminish with time and add that aging is no barrier either to the creative
process and self-fulfilment.
"It's essential, though,"
says Fromstein, "to always keep a sense of humour." Which he has in
spades.
But despite the obvious
struggles and adjustments people find they have to make as they age, I ask the
still-attractive Stitt what she's found beneficial about getting older.
"Being freer and able
to speak my mind," she promptly replies. "In fact, I find all aspects
of aging interesting, body and mind."
Does she miss anything though?
Her reply takes longer this time.
"The flirting!"
she laughs finally. "No one flirts with old ladies."
"LOVEPLAY" REVIEW BY KEITH GAREBIAN
…a beautiful creative partnership in a garden of verse. ..
In “live” performance, Stitt and Fromstein are the best duo of spoken poetry, lyric and parody department, you're probably going to see and hear on the reading circuit. She's the rhythmically elegant, tenderly insightful, somewhat wistful, properly realistic lyric poet whose verse shows a good measure of craft and melody. Fromstein is the droll one, the cut-up clown, surprisingly debonair at times, quick with witty repartee. More often than not, they have opposite points of view about dating, sex, romance, or relationships.
An example of their opposition can be had in this extract: when she writes: “I see flowers underneath my feet,/rainbows arching overtop the street/and haloes crowning everyone I meet,” he counters: “When I walk in the country,/I see poison ivy beneath my feet,/black clouds deciding where they'd like to meet,/and puddles on benches where I'd like a seat .”
Their contrasting voices engage in an intellectual and passionate foreplay, culminating not so much in orgasmic closure as in laughter or an afterglow of wry wisdom.
…such naughty exuberance … It is light-hearted, playful, populist entertainment that returns you to the oral nature of poetry. It is also in the tradition of Dorothy Parker, Ogden Nash, and other satiric wits, and it gains by virtue of the poets' seniority.